![]() dedicates some pages to Daws and that’s are the one where i picked up the paragraph in which Daws talks about how to do accents, the way he taught his students in his voice class. Just telling you what had been passed on to me though I try to be as fair as possible on all sides.Ī web site created by Mark Evanier called P.O.V. A terrible accident in itself, however, does not always render someone bitter and mad. I was told that he continued to have some pain in his joints/back even years after he left the hospital. ![]() Mel, on the other hand, I had been told was rather bitter, after he had that auto accident in the early 60s which broke every bone in his body and nearly killed him. We don’t really know for sure, with that quote, if he didn’t care for Mel, but it does kind of suggest that. Everyone always said that Daws was one of the kindest and nicest men in show biz. ![]() i just wanted to get out Mel’s side of the story as to why only he was given voice credit during much of the theatrical shorts (excluding Arthur Q. i also saw an interview with Mel and he said that his goal was to do broad exaggerations of dialects based on stereotypes and he said that he really never tried to do accents and dialects accurately as Daws did. however, the reason i had brought up Mel in the first place is that i got the impression in Daws Butler’s interview that he didn’t like Mel Blanc too much? i got that impression when i saw in an interview of his telling how to do a Mexican and he gave two examples of a Mexican’s voice and then he said: “a Mexican wouldn’t say ‘I teenk i do dis, no i do dat’, sounds too much like Mel Blanc.” well, when i saw that i got the impression that Daws and Mel didn’t like one another. I don’t mind if you’d re-print my first e-mail about Mel Blanc.
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